Small figure studies

I haven't written in a while about my return back to the exploration of the figure, but it has been going relatively well. The weekly class I've taken with Robert Liberace has been wonderful, but I must say that the 1.5 + hour commute (each way) has been a little bit of a challenge, and unfortunately I had to miss a class or two in the semester because my car broke down. (That's one of the drawbacks of taking an out of town class--you can't exactly catch a ride if your transportation source goes south!) So while I've felt a little bit disjointed with my schedule glitch, what I've also discovered is that my time in class flies by very quickly, and that my execution with drawing the figure from life is still relatively slow.

Rob did some amazing demonstrations during the course of each class, and I often felt torn about whether I should watch the demos for the duration or work on my own drawings. I tried to acheive a balance of the two as best I could, but since my time with Rob was rather limited (and I can hang out with myself most any time), watching Rob's demos often won out. As a result I've ended up with rather a lot of "beginnings," and nothing from this class really has the feeling of a finished work.

But that is the nature of  learning, I think. And whenever  I teach my own workshops I always try to emphasize to students that in a learning environment, the goal of finishing or making a "framable product" should be subordinate to learning and experiementation.

I took a decent amount of figure drawing in college, so I don't consider myself to be a novice. But I'll say without equivocation that this class was definitely experimental for me. In fact, since it's been such a long time since I've done much if any life drawing, in hindsight I might have been slightly cavalier by signing up for this class. Rob has a lot of devoted followers and it became clear to me early on that many of his students (talented in their own right and some also teachers themselves) were quite familiar both with Rob's teachings and with life drawing in general.

I probably would have done well to have first gained a level of comfort by taking an entire semester of a more basic class in just one or two drawing mediums-- charcoal and chalk, for instance-- to really develop my drawing.  The class was called something like "exploring the figure," which is a hint that it was the next stage beyond just fundamentals. And while all along the way we learned about correct proportion and developing mass and form, there was a little more emphasis in this class on exploring different mediums from drawing to painting, which added a whole new level of learning to an already complicated subject.

But neither my car breakdowns nor my cavalier course selection was enough to detract from the class as a whole, thanks wholly to the instructor. I found Rob to be an incredibly energetic, enthusiastic, and helpful instructor. Most of all I found him to be so very inspirational. Beyond his masterful technical acuity, he displays an incredibly beautiful sensitivity and true artistry in his work. So in many ways,  I am glad to have taken this particular class; because not only did it enable me to see the range he is able to acheive in his own work, but I also could see hints and clues about what is possible for myself.

*Note, scattered throughout this post are a few of my studies from the class. All are pretty small--ranging from 4x6" to 8x10". The small gestural studies (short poses from 3 to 7 minutes) were done in sepia ink. The two subsequent pieces were watercolor, and the final piece was a grisaille on linen, done on the last day of class.

A few announcements

Being heavily immersed in summer activities I'm afraid I've kind of fallen off the blog wagon lately. But things have been happening behind the scenes, and I'd thought I'd share a few interesting tidbits of what's coming down the pike.

• France in 2009! I've just gotten the word that my dates for a 10 day plein air painting workshop at Le Vieux Couvent have been confirmed! If you've been reading my blog, you've already heard my raves about this beautiful, enchanting part of Southern France.

I'm excited to have the opportunity to take a group there myself, for 10 days of painting, touring, eating, and just soaking in the atmosphere. Dates are June 3-13, 2009. This year during that time period I had word from the workshop host that the poppies were in full bloom and the roses were going crazy in the garden. I'm preparing my brochure now and should have it up on my website by next week. If you have an interest in joining me for this wonderful creative adventure, please check back, or just contact me and I'll send you a brochure with all the details as soon it's done

•  Moving ahead. Well it just seemed like yesterday that I moved into my beautiful gallery space, but the time has come for me to make another move. I don't have a lot of details to share yet, but come fall I will be letting go of the downtown gallery location. I'm sure I'll be writing on that in the weeks ahead but a lot of details need to be ironed out before I really have anything solid to share.
•  Warm up to Plein Air! Since the time of my last workshop this past spring, I've received a number of inquiries asking when I'd be having another class. Due to the aforementioned upcoming move, I had to wait a bit to schedule anything solid. But here's what I'd like to do: In September I'd like to offer some one-day plein air modules in the Richmond area that I'm calling "Warm up to Plein Air."  If you are a painter who has always wanted to try plein air painting, this will be a fun opportunity to give it a shot. Experienced plein air painters can benefit as well, as this day-long module will include a demo and time for painting. We'll talk about the tools of the trade that I've found useful, plus tips to make the most of your time outdoors. I'm limiting these modules to a very small size so we can make the most of our time together. Dates and details will be posted on my website, hopefully also by next week. Meantime, feel free to contact me if you're interested.

Plein air in a French country garden

Now that we're really getting into the summer weather here, I'm starting to see my gardens taking shape. For the beds alongside my house, I'm slowly building an herb and butterfly garden. Budget restraints required that I experiment with starting from seed for a few things, but mostly I just started from very tiny plants and mixed in a few summer bulbs. Gardening is a pretty new pastime for me, so  believe me, every new growth or flower is a triumph.

In Virginia, if you dig deep enough, you will soon hit clay, which makes building any kind of new bed a bit of a chore, as you really have to work in a lot of good loose topsoil, soil conditioner, and fertilizer to make the plants take to it kindly. It kind of makes me shake my head a little when I visit places like the south of France. Roses practically grow out of the cracks of the sidewalks there! Okay, the gardeners there do have do deal with the rocks (and a lot of them) so I guess we all have our gardening challenges.

The old French country convent where I stayed had a labyrinth of beautiful gardens. I believe the current owners have had the place for a little over 10 years, and while they started with a property that had "good bones", all of the gardens were as a result of their own sweat and muscle. The gardens were set out like little outdoor sanctuaries, and there was something to discover in every nook and cranny of the property.

To the painter's eye, there were a thousand possibilities just within the confines of Le Vieux Couvent itself. But I was drawn particularly to the little goldfish pond out back.So apparently was one of the resident cats, "Portia". With so much touring, I didn't really have much time to paint on the grounds of the property, but I did do this little watercolor sketch of Portia by the pond one morning before we set off on another excursion:

My layout was such that I couldn't quite get in the pond itself. But I came back one morning after the group from the "artist retreat" left,  and painted  a more close-up view again in oils:

"Bassin à Poisson Rouge" (The Goldfish Pond) Oil on Linen, 11x14" Click here for more info.

La France Profonde- countryside painting (wip)

Time was of the essence during this painting holiday. While not overrun with museums, there are so many living, breathing, and lovely places to experience in this area. What I mean by that is that this region is considered by many to be "La France Profonde". What I mean by THAT is that the Lot and the Dordogne embody so many of the characteristics of what one would think of as truly and profoundly French. The production of their food and wine, farming, and, well, their manner of living, is still very much practiced in traditional ways. Yes, there is a lot to see, (chateaux, winding and ambling river valleys, lovely medieval villages, and of course French markets and shops). But this is a place to be experienced.

There were a thousand potential paintings right around the old convent where we stayed. So to make the most of our time, we decided  to paint the sunrise. We got up extra early and headed out to paint a lovely sheep pasture that had been spotted by a the "early morning walkers" in our group. Only, there was no sun to be seen. Instead, (and even better) there was the most beautiful soft fog lifting off of the grass:

Work in Progress (as yet untitled) Oil on Linen, 11x14"

When we set up to paint, we had a couple of dilemmas. The sheep were in the neighboring pasture. But who could resist painting this little chateau? No problem. We'll just paint the chateau and move to the next pasture to add the sheep. (Hey, that's the beauty of being an artist, right?) 

The other challenge was the that we knew this etherial effect of fog would soon burn off, so we had to work quickly to capture what we saw as best we could, alla prima. Actually, the opposite happened. Instead of lifting off, the fog actually settled in thicker, nearly obscuring the upper part of the hillside trees.

This was as far as I got. It's almost there but I feel there are some areas that need to be resolved, like the foreground and the area just above the chateau. I'd also like to develop a bit more surface texture. The trick will be not to lose the freshness that is so characteristic of plein air painting. We'll see.

In any event, one bonus for us is that the sheep actually (eventually) decided to head over to the pasture with the chateau. Those critters can move, so you never know which way they're going to head. But we got lucky. Merci les moutons!

Sketches from France- plus a brag

Just before I left for France my dear friends Jack and Mikki sent me some wonderful books on travel sketching. My favorite from the group is Artist En Routeby Betty Lynch. (A quick look at the price that this book is now going for makes me glad that I got this as a gift!) Betty is a very talented watercolorist, but I am partial to her simple pen and ink sketches, and they inspired me to keep my own little art journal for my trip.

I brought a 5x8" moleskine journal with me, which fit nicely into my carryall bag. Never one to be without as many options as possible, I chose the notebook that would accept watercolors (though most of my sketches were pen and ink.) Here's one with my notes of the Abbey I blogged about yesterday:

Most of these were just quick little jots, but the journal really helped me to lock in the memories in place, and keep track of the places we visited in sequential order. So many times on action packed trips like these, all of the memories start to blend together after a while, so I really recommend this combination of traveling, sketching and journaling. 

On the same day that we visited Abbaye Nouvelle, we also visited the village of Beynac (in the Dordogne), with its fascinating 12th century chateau perched atop dramatic limestone cliffs. Only time for a quick sketch for this part of the itinerary, which I did after our picnic lunch by the river bank. We are steeped deep into Medieval history here; this castle is where Richard the Lionheart met his death!

***And now, we interrupt this art travel log for a quick brag ;-). There is a fine new oil painter in the Young family, and she's got a blog! Check out my very talented niece, Molly Young and her Daily Painting blog.

Molly came all the way up from Texas to take my April workshop this past spring, and I got the chance to see her talent in person. I wish I could say I had something to do with it, but she's been cutting her own path for a while now and I look forward to seeing where she takes it. Her blog is brand new, but she's been painting for a couple of years, and she's a quick study to boot.

The fruit trees of early spring were all abloom while Molly was here visiting, and we took advantage of it by heading up to Monticello for a quick visit.  Here's a shot of the two of us at Monticello:

 

Molly's got some wonderful new paintings from that visit on her blog. Here's one of my faves.

Small WIP & value sketches amid the rubble

A series of wet gray days have kept me from painting outside, so I've spent some time putting my studio  (and myself!) back together in the aftermath of the workshop. For me, "spring cleaning" always seems to make things look worse before they get better.

I have little piles around me...piles of books, of paperwork, and also a small pile of unfinished paintings. Among the latter is this demo painting that I started in the workshop, which I may noodle around with and bring to a more finished state. It's small, just 12x9", so we're talking maybe just orzo or macaroni-sized noodling.

I started this workshop demo talking about composition and values and how they related to each other. Since we were working with the limitations of photographs, I wanted to try to get folks to think about the possibility of composition beyond just what they saw in front of them in the picture. When I'm painting en plein air, I will often do a series of small value sketches before I jump right into painting. I will use this same approach too in the studio, to develop my design.

Along with a contour sketch, it is extremely helpful to do this in a very abbreviated quick grayscale, so that I can get a general idea of my value relationships and the overall design that is created not only by the placement of line but also by the pattern of dark and light:

 

This is not a new concept, of course. Artists have forever been studying and writing about the arrangement of values (lights and darks) to compose a strong design. The artsy fartsy term for this is "Notan". Okay, it's actually Japanese. Notan sketches can be fleshed out in recongnizable contours (like mine above) or they can be very quick and gestural thumbnail abstractions created for the purpose of identifying the underlying design.

The values are generally limited to four or less.  I used 2 markers; black and light gray, deriving my middle gray from a blending of the two, and letting the white of the paper stand as my lightest value. 

Of course, in life we see a much wider range of values, but in designing and executing a painting, I'm learning that simpler is often better.  If you look at many of Monet's paintings, you might notice that many of them have a very small range of values indeed, and he used color temperature and very soft edges to add a wonderful sense of atmospheric depth to his work.

A quick Google search for "Notan" yielded some good results for further exploration:

• A good series of Notan lessons from Virtual Art Academy
• Artist Robert Genn discusses Notan in his inspirational newsletter "The Painter's Keys"
• Painter Ed Terpening does it!
• Katherine Tyrrell does too.

How about you?

Art for Food Auction- "Golden Days" Tuscany painting

Today I have a new offering up for auction to benefit the Central Virginia Foodbank. This is another watercolor/pen and ink painting of the golden sunflowers of Tuscany:

"Golden Days" Watercolor/Pen & Ink on Arches Paper 7x10" (Image size 5x7") This painting has sold, but you can see the current auction by clicking here.

New art Auction: "Mountain Chalet", Lake Como, Italy

The "Art for Food" charity art auctions continue! This 7-day auction is for a landscape painting of a little chapel and mountainside chalet overlooking a small fishing harbor on Italy's lovely Lake Como. The Mediterranean trees and buildings are set against a dramatic backdrop of the Pre-Alps, making this one of the most stunning destinations in Italy.

"Mountain Chalet" Watercolor & Ink, 8x10"

According to the Central Virginia FoodBank, $25 could provide as many as 200 meals. So, with that in mind, opening bids for these auctions are set at the mega-bargain price of about 200 meals or $24.99 per item! 95% of the proceeds for these auctions will be donated to the CVFB.

Just posted- original Tuscany painting auction-$24.99!

I hope you fared better on your Valentines day than we did- we're dealing with that awful flu that's been making the rounds here in Richmond. But I've momentarily arisen from the dead to post a new "Art For Food" auction. How's that for dedication? 95% of the proceeds will be donated to the Central Virginia Foodbank. The title of this painting means "The Heart of Tuscany", and to me, the Val d'Orcia in Southern Tuscany was just that. I loved the way the Cypress trees punctuated the winding country roads:

"Il Cuore della Toscana" Watercolor/Pen & Ink on heavy deckled edge paper 8x11" (image size 6x8")

This auction has ended, but you can see the latest Art For Food Auctions here!

New painting of Provence lavender for auction, just $25

Announcing a new "Art for Food" charity auction for the Central Virginia Foodbank (CVFB). I admit it isn't easy to put some of these works up for auction, but it's a good cause, so what the hay. I love this little Provence lavender painting and I hope you will too... and I can always use this work as a study to make a larger piece in oil. Opening bids are just $24.99 and 95% of the proceeds will be donated to the CVFB:

"Summer Garden" (Provence, France) Watercolor/pen & ink on Arches heavy watercolor paper, 8x10" Auction starts at 12:30 EST on 2/07/08

This auction has ended, but you can bid on the latest auction here!

New "Art for Food" charity auction listed- Provence watercolor

Here is the latest in my series of charity auctions for the Central Virginia Foodbank. I am listing this little Provence watercolor of the Luberon Valley on eBay, and you will notice some adjustments to the listing due to the things I wrote about in my previous posts here and here.

"Summer Vineyard" Overall size 8x10" (image size 5x7")

Bidding has ended for this item, but you can see the latest art auction here.

Art for Food auction for the CVFB- Italian landscape painting of Lake Como

The online art auctions for the Central VA Foodbank are doing great. So far the auction sales have made donations that will provide over 800 meals! A note of my sincerest thanks to the winning bidders, and everyone who has taken the time to bid. I plan to keep the project going for the next 6 months, so I hope you will too! Today I've posted another "Art for Food" auction. This sweet original watercolor/pen and ink painting on paper is of Italy's beautiful lake Como. The vantage point is looking over the terra cotta rooftops from a lovely terrace lined with flowerpots:

"Patio View, Varenna"

Watercolor/Pen & Ink on Paper, 7x9" (Image size 4x6") Visit the auction and bid! This auction has ended, but click here to see the current auctions.

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Art for Food: Tuscany watercolor charity auction for the CVFB

This Tuscany watercolor vignette is the second in my series of charity auctions begun last week for the Central Virginia Foodbank. Opening bid is just $25 (providing the equivalent of 200 meals.) 100% of the proceeds from the sale are donated to the CVFB. My husband suggested I call the auctions my "Art for Food" program (a clever riff on "Oil for Food"). I like it :-) Please, if you'd like to be alerted to new auctions as they are listed, consider signing up for my auction alerts, or just subscribe to my blog.

"The Sloping Grove" Watercolor/Pen & Ink on Paper Click to bid Bidding is closed for this item, but you can see available auctions here!

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Art auction to benefit the Central Virginia Foodbank

As a way to kick off 2008, I've decided to create auctions for some of my paintings in hopes of raising funds for the CVA Foodbank.  The idea for the auctions was inspired by a couple of things that grabbed my attention almost simultaneously over the holidays. The first was a CNN broadcast I stumbled on while flipping around on the television one late sleepless night. It was a special called "Living Heroes".  I tuned in to see a gentleman named Steve Peifer accepting an award for the incredibly inspiring, selfless work he has done in Kenya, feeding the children in school. Click here to watch the inspiring video.

About a day or two after I saw this program, I noticed Philip Rucker's article in the Washington Post online edition entitled, "Cupboards Are Bare at Food Banks." My first thought was, "Huh? With all of our wealth and resources we are having trouble supplying our country's own food banks?" The article actually focused on the D.C. Capital Area Food Bank needs, but it mentions that many of the nation's food banks are experiencing similar shortages. You can read more about it in the article,  but the bottom line is that the food banks do not have the supplies they once did, and they need people to step up and help.

I got to wondering what was going on in my own local Central Virginia Foodbank. According to the CVA Foodbank's website, in the Metro Richmond area:

"...the poverty rate is more than twice the Virginia average. In fact, in the City of Richmond it’s 38% and in Petersburg it’s 40%, compared to the state average of 17%.. That means right here in our own backyard there are tens of thousands of children who go to bed hungry every day. "

As a citizen of Richmond, I'd have to live under a rock not to know of the poverty concerns we have in the city. But even so, these numbers are startling. And while the pragmatist in me realizes that there will always be inequalities in the world, the idealist wonders,  "Why, given the earth's resources, should there ever be a reason for anyone to go hungry?"

 I've always believed in the adage, "think globally, act locally." And while curbing world hunger seems like an overwhelming task, we all can make a huge difference in our local communities by simple acts of time, food or cash donations. Surprisingly, it doesn't take that much to make a difference. In fact, according to the CVA Foodbank's website, $25 will provide as many as 200 meals.

So to bring all of this back around to the subject of art, (after all, this is an art blog,) I thought it might be nice to see if I could raise some funds for the CVA Foodbank by offering some of my vignettes in auction format.   I have been offering the little watercolor vignette paintings in my gallery and on my website for a little while now, and I've gotten some really nice feedback from collectors who enjoy them. And while I had already set prices for these works at truly introductory rates, for the next 6 months opening bids for these auctioned paintings will be set at the mega-bargain price of 200 meals, or $25 per item. 100% of the proceeds for the sale of these vignettes will be donated to the Central Virginia Foodbank.

It's my hope that each auction will get bids and that far surpass the opening bid. But even if I get just opening amount, it will generate a donation that can provide 200 meals. The CVA Foodbank is already doing some wonderful things for the folks in our area, not the least of which is providing comfort and hope for hungry kids. And, as evidenced in the above mentioned video, relieving hunger clears a pathway to learning, and education can help to provide way out of poverty.

Winning bidders get the artwork, maybe even at a mega bargain price, plus the satisfaction of knowing that their purchase is being donated to help one community's underprivileged children, elderly and families in serious need. Of course, you don't need to bid on artwork to make a difference in your own community. I encourage everyone who is able to get in touch with their own community's food bank and consider offering time, food, or cash. My auctions  are just my own small (and hopefully fun) way of trying to raise some funds and a bit of awareness.

Well, thanks for sticking with me for this rather long explanation! Without further ado, I present my first Central Virginia Foodbank ("CVFB") auction for one of my recent watercolors:

"Open for Business" Original Signed Watercolor & Ink on paper Click here to bid

Update: This auction has ended, but click here to see the current auctions, and consider signing up for our email auction alerts using the link below.

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"Summer Vineyard", Provence watercolor vignette

Last minute Christmas shoppers have kept me incredibly busy (and thankful) this week at the gallery, so I am finding little time to blog and do much needed computer work. But I do have a new little Provence watercolor painting to share.

"Summer Vineyard" Watercolor/Pen & Ink on Paper

It might not be quite "season appropriate," but if you're like me, there's never a bad time to dream of summertime in Provence.

New Vignette- Tuscany watercolor landscape painting

New for today is another original watercolor vignette. This one is of Tuscan sunflowers so abundant in the summertime in the countryside south of Siena. This painting is matted in an 8x10" mat with all acid free materials, and comes in a clear protective sleeve.

"Summer In Tuscany" Watercolor/Pen & Ink

Update: just sold! To see the other small works I still have available for sale, please click here and here.

"The Terraced Grove, Tuscany"- Watercolor Vignette

Busy day today getting ready for the Thanksgiving holiday, but at 5 PM I've finally managed to find time to post!  Today it's a new Tuscany watercolor. I think I might be getting the hang of this watercolor thing :-).  The vignettes are a great way to work out compositions on a small scale. I may just have to reinterpret this one into a larger oil :

"Terraced Grove, Tuscany" Watercolor/Pen & Ink, 4x6" Contact me for more info!

We're getting ready to take a little Thanksgiving hiatus for a few, so if I don't have a chance to post again before I leave, happy Turkey Day! (Or if you are a veggie like me, happy carb day!)

A Provence Watercolor Vignette and a Newsflash

 

It has been a busy week tending to other things, so not much blogging. Above is a little watercolor vignette of one of my favorite subjects--the Provincial countryside! I may go back and add a little detail to the lavender rows...not sure. This is a small piece, a 4x6" image on 5x7" paper, so I kind of like the simplicity and freshess right now.

I've decided to change the "Art Sketches" category of my website to "Vignettes". The above image details and the change to the site are not yet live, but that's part of what I am working on this week. I think Vignettes is more appropriate and encompases both watercolors and other media in small format. I will be doing a lot more of these in the coming weeks as I prepare for my next opening in early December, entitled "Small Stuff".

Speaking of small stuff, here's the other thing I've been working on: I'll be releasing a series of mini-prints soon. These are archival prints of a selection of images in mini format, sizes ranging from 2.5" x 3.5", to 8 x 10". They'll be offered matted with acid-free materials, and they are soooo cute! I've been color correcting and proofing all week, sometimes tearing my hair out, but I expect to launch this line by the beginning of next week. Let's hope I'm not completely bald by then!

Art opening tonight: "Luminosity"

I've been scrambling this week to get everything finished for the opening  for my exhibit of new landscape  paintings tonight here at the gallery, and I'm officially pooped. The good news is, the show looks great, and  I can now take few hours to rest before we open up tonight. Come out and see us if you are coming downtown tonight or are doing the First Fridays Richmond art walk! Here are the details for tonights event:

"Luminosity" Art Exhibit at Jennifer Young Studio & Gallery

Richmond, VA –  Jennifer Young Studio & Gallery will feature new paintings of the luminous landscape by Jennifer Young.  The show opens on Friday October 5th, 2007, with a reception from 6 to 8:30  PM. Opening night music provided by Russell Young. The exhibit continues through November 30th.   Jennifer Young Studio & Gallery is located at 16 East Main Street, two blocks east of the Jefferson Hotel. Click here to view a map and get directions from your location. For additional information please contact us!

Watercolor/Pen & Ink Sketches: The Jefferson Hotel

Since my studio is right down the street from the beautiful and historically significant 5 star Jefferson Hotel, I thought I'd sketch a couple of the more famous views. This is the view of the belltowers from S. Adams street:

According to the Jefferson Hotel website, Lewis Ginter "commissioned Carrere and Hastings, a renowned architectural firm from New York. The firm designed the Fifth Avenue Public Library and Henry Frick House (later the Frick Museum) in New York, as well as portions of the Commonwealth Club in Richmond."

Along with the hotel's gorgeous grand staircase, (which supposedly inspired the one used on the set of Scarlett's famous staircase tumble in the film Gone With the Wind,) another significant interior space is the Palm Court in the hotel's upper lobby. Central to this space is a life-size marble statue of Thomas Jefferson by Edward V. Valentine, interpreted with liberal artistic license by yours truly below: