A small commission, with just weeks away...

Given how long it has been since I've posted anything new here at all, I am almost embarrassed to write another "yes I'm still here" post. But here goes! The baby is now less than a month away from her due date and I am finally feeling as if I have gotten our household in some kind of order to prepare for her arrival. Unfortunately, now that I'm getting a little respite from the baby books, the shower, the classes, and prepping the nursery, I am, in this final trimester, also feeling my least energetic and creative. In truth, I don't think I was prepared for just how exhausted I'd feel throughout the pregnancy. But now that I'm getting really big, I can't really seem to do any one thing for very long before I start to feel quite uncomfortable. So needless to say, painting has pretty much taken a back seat during most of my pregnancy, and it's hard to say when that will change to any great extent after the baby comes. However, I do have one new little piece to share. It's a small watercolor/pen and ink painting  (8x10" on 11x14" paper) that a client commissioned to commemorate her daughter's upcoming wedding:

"Flavor of Fagiolari" Watercolor and Pen & Ink on Paper

The scene is of a B&B in the Chianti region, not far from where I myself have traveled a number of times. It's a special place to the betrothed because they met in Italy and stayed at Fagiolari during their travels through Tuscany together.

When I paint from photos, I prefer to work from my own references. I just have a much better feeling for the place if I, myself, have traveled and painted there, and my photos serve as a trigger to call forth those experiences. I also take several different viewpoints of a given scene, plus a number of details, so that I can have as much information as possible when I get to work. So it's always with a bit of reservation when I consider working from a client's photo, which is normally more of a one-off tourist snapshot.

But this commission was actually quite a joy for me. Not only was it great to be doing something in the painting realm again, but the photos provided were excellent. Having also traveled the area fairly extensively myself helped a good deal as well.  Plus I was given much leeway as to how I wanted to interpret them (the photos) and what I wanted to include, rather than being tied to making an exact, literal interpretation  (a.k.a. an illustration) of a scene.

What was most important to the client was that I caputre the "flavor" of the place (hence the painting's title). Luckily, the client was delighted with the finished piece, and I had a good time getting my hands back in some art-making to boot. I tend to feel somewhat more intimidated by watercolors (as opposed to oils) but given its manageable size and the properties of the medium, I was able to stop and start more easily than I can with oils. It's not without reason to think that maybe I can even attempt a few more before "D-day" (or make that B-day) but we'll see. The one thing I can say about my life this past year is that it is anything but predictable!

Sunset on the Sound

I did bring my watercolors with me on our recent anniversary trip to Cape Hatteras, but I really didn't do much in the way of painting, save for this quick and light-hearted attempt below (done when we were sitting on the beach).  It just wasn't that kind of trip.

 

In fact, I even forgot to bring my camera, which is a real rarity for me! In a way it was a shame, because the B& B where we stayed had a fantastic vantage point on the sound, and provided us with some of the most beautiful sunsets we'd seen in a while. In another way, taking a real vacation to just "be", without feeling the need to work, was quite nice and very relaxing (though, believe me, there were times when the views were so compelling that the pull was strong!)

Our room had a view, so we'd sit on our balcony each evening and watch the sun set. I never tire of doing this. You can watch the setting sun from the same spot each evening and yet each time the experience is unique. It's the best show in town, and the sky seems to delight itself in its endless variations.

In the end, it's just as well that I left the camera at home, because the large majority of my amateur snapshots fail to capture the depth of color and the subtler transitions from sky to water. If not painting on the spot, the next best thing is to just sit and observe and to try and commit what I see to memory as best I can. So that's what I did. Once we got home, I painted this little watercolor from memory:

"Sunset on the Sound" Watercolor, 7x10"

Garden painting, St. Cirq La Popie- WIP

For the last week I've been pretty much bowled over by the flu, so I haven't found my way back to blogging before now. Bronchitis still has its hold, so I'm confining my work to the studio for the time being and holding off on plein air painting until I don't tire quite so easily. Meanwhile, I took a quick snap of the start of my latest piece from French series on the Lot Valley:

 

I did a small watercolor study of this scene a while back during my studio construction, which made my compositional decisions a little easier with the oil. This is just the initial block in of a much larger piece (24x30"--about 3 hrs. work.) Today I'm working on adding more color and more finesse (though not too much or I'll lose the freshness.) More pics to follow.

Small figure studies

I haven't written in a while about my return back to the exploration of the figure, but it has been going relatively well. The weekly class I've taken with Robert Liberace has been wonderful, but I must say that the 1.5 + hour commute (each way) has been a little bit of a challenge, and unfortunately I had to miss a class or two in the semester because my car broke down. (That's one of the drawbacks of taking an out of town class--you can't exactly catch a ride if your transportation source goes south!) So while I've felt a little bit disjointed with my schedule glitch, what I've also discovered is that my time in class flies by very quickly, and that my execution with drawing the figure from life is still relatively slow.

Rob did some amazing demonstrations during the course of each class, and I often felt torn about whether I should watch the demos for the duration or work on my own drawings. I tried to acheive a balance of the two as best I could, but since my time with Rob was rather limited (and I can hang out with myself most any time), watching Rob's demos often won out. As a result I've ended up with rather a lot of "beginnings," and nothing from this class really has the feeling of a finished work.

But that is the nature of  learning, I think. And whenever  I teach my own workshops I always try to emphasize to students that in a learning environment, the goal of finishing or making a "framable product" should be subordinate to learning and experiementation.

I took a decent amount of figure drawing in college, so I don't consider myself to be a novice. But I'll say without equivocation that this class was definitely experimental for me. In fact, since it's been such a long time since I've done much if any life drawing, in hindsight I might have been slightly cavalier by signing up for this class. Rob has a lot of devoted followers and it became clear to me early on that many of his students (talented in their own right and some also teachers themselves) were quite familiar both with Rob's teachings and with life drawing in general.

I probably would have done well to have first gained a level of comfort by taking an entire semester of a more basic class in just one or two drawing mediums-- charcoal and chalk, for instance-- to really develop my drawing.  The class was called something like "exploring the figure," which is a hint that it was the next stage beyond just fundamentals. And while all along the way we learned about correct proportion and developing mass and form, there was a little more emphasis in this class on exploring different mediums from drawing to painting, which added a whole new level of learning to an already complicated subject.

But neither my car breakdowns nor my cavalier course selection was enough to detract from the class as a whole, thanks wholly to the instructor. I found Rob to be an incredibly energetic, enthusiastic, and helpful instructor. Most of all I found him to be so very inspirational. Beyond his masterful technical acuity, he displays an incredibly beautiful sensitivity and true artistry in his work. So in many ways,  I am glad to have taken this particular class; because not only did it enable me to see the range he is able to acheive in his own work, but I also could see hints and clues about what is possible for myself.

*Note, scattered throughout this post are a few of my studies from the class. All are pretty small--ranging from 4x6" to 8x10". The small gestural studies (short poses from 3 to 7 minutes) were done in sepia ink. The two subsequent pieces were watercolor, and the final piece was a grisaille on linen, done on the last day of class.

A painting between contractors- St. Cirq La Popie, France

Well, I've stopped fooling myself that I'm going to get away any time soon to work on larger oil paintings. Setting these kinds of impossible goals when we've scheduled back to back contractors for the new studio (painters, hvac, electrician/lighting) just sets me up for frustration. So the last time I stopped by my temporary painting space, I grabbed my watercolors and a few drawing supplies for a little painting at the "kitchen table studio". It's been some time since I've done any watercolor work, so it took me a while to get a feel for it.  But it sure is nice to focus on something other than lighting fixtures, and the great thing about these kinds of pieces is that I can always later develop these compositions into larger oil paintings down the road:

"Private Garden, St. Cirq Lapopie" 9x12", Watercolor and Conte Crayon

I had the thrill of driving to the beautiful village of St. Cirq Lapopie (St. Cirq is pronounced something like "San Seer") at the tail end of my trip earlier this year to the Lot and Dordogne in southwestern France. It was a thrill because it was a breathtakingly beautiful location; but as well because my rental car felt not that much bigger (or safer) than a tin can, and  the winding road that leads to the village hugs the cliffside that drops a few hundred feet to the Lot River below. This is a view of the village from the overlook near the parking lot:

 

Even though the hike down the near-shoulderless road was also treacherous, I'd have to say it was all well worth the risk. It's a touristed village,  but with good reason. Wonderfully preserved 13th to 16th century Quercy buildings with pitched rooves line narrow streets overflowing with flowers.  Perched high above the ambling Lot river, its "picture-book prettiness" has earned it the well deserved designation of one of France's most beautiful villages. To be sure, I'll be posting more paintings of this village (watercolors and eventually oils) in the days ahead.

Plein air in a French country garden

Now that we're really getting into the summer weather here, I'm starting to see my gardens taking shape. For the beds alongside my house, I'm slowly building an herb and butterfly garden. Budget restraints required that I experiment with starting from seed for a few things, but mostly I just started from very tiny plants and mixed in a few summer bulbs. Gardening is a pretty new pastime for me, so  believe me, every new growth or flower is a triumph.

In Virginia, if you dig deep enough, you will soon hit clay, which makes building any kind of new bed a bit of a chore, as you really have to work in a lot of good loose topsoil, soil conditioner, and fertilizer to make the plants take to it kindly. It kind of makes me shake my head a little when I visit places like the south of France. Roses practically grow out of the cracks of the sidewalks there! Okay, the gardeners there do have do deal with the rocks (and a lot of them) so I guess we all have our gardening challenges.

The old French country convent where I stayed had a labyrinth of beautiful gardens. I believe the current owners have had the place for a little over 10 years, and while they started with a property that had "good bones", all of the gardens were as a result of their own sweat and muscle. The gardens were set out like little outdoor sanctuaries, and there was something to discover in every nook and cranny of the property.

To the painter's eye, there were a thousand possibilities just within the confines of Le Vieux Couvent itself. But I was drawn particularly to the little goldfish pond out back.So apparently was one of the resident cats, "Portia". With so much touring, I didn't really have much time to paint on the grounds of the property, but I did do this little watercolor sketch of Portia by the pond one morning before we set off on another excursion:

My layout was such that I couldn't quite get in the pond itself. But I came back one morning after the group from the "artist retreat" left,  and painted  a more close-up view again in oils:

"Bassin à Poisson Rouge" (The Goldfish Pond) Oil on Linen, 11x14" Click here for more info.

Oil painting substrates; Multimedia Artboard

The last few paintings I've featured from my recent France travels are done on Multimedia Artboard. I posted about this surface before when I was getting ready for my trip, and I thought I'd write a little more about it as a follow up. I really enjoyed this surface, especially for traveling and painting en plein air. For one thing, it is very thin, so you can pack a good number of these boards and not take up a ton of room in your suitcase. You can also cut the board to size very easily with either a guillotine-type paper cutter or an exacto knife.

In fact, it is so lightweight that when I first ordered this material I thought I had been sent the wrong product. I was expecting a board, and what I got was something that seemed more like a rigid watercolor paper. I even called the manufacturer to ask about it. I will say that the manufacturer was extremely helpful, and was almost at a point where he was willing to ship me some board from his own stock so that I'd have some for my trip, even though I hadn't originally purchased it from him. But he told me, "If it's my board it should be very rigid. In fact, it will shatter if you try to bend it." Sure enough, when I put it to the test, it did.

That's the one thing to be careful of with this product--but protect the corners in travel and don't drop it from a balcony, and you should be fine. It has a rough side and a smoother side to it, so you have a choice on which side to paint, depending on your needs. I also like that it accepts a variety of media--watercolor, acrylic AND oil. It can accept oils either as is, or primed, if you wish, with gesso. I double primed mine, but it was a little slick, so I think next go around I'll try it unprimed to see what that's like.

While the board is rigid, because it is thinner than a "board", I taped mine to a larger board (gatorboard or coroplast) to give me a stronger work surface.  For framing, I can simply pop it in a frame backed by a sturdier board and it's ready to go.

I am finding the Multimedia Artboard  much easier to mount and frame after the fact than the other surface I took with me, a fine-weave primed linen. And while linen has luxurious qualities all its own, I can easily and happily see myself going back and forth between these two surfaces for my plein air painting travels.

Sketches from France- plus a brag

Just before I left for France my dear friends Jack and Mikki sent me some wonderful books on travel sketching. My favorite from the group is Artist En Routeby Betty Lynch. (A quick look at the price that this book is now going for makes me glad that I got this as a gift!) Betty is a very talented watercolorist, but I am partial to her simple pen and ink sketches, and they inspired me to keep my own little art journal for my trip.

I brought a 5x8" moleskine journal with me, which fit nicely into my carryall bag. Never one to be without as many options as possible, I chose the notebook that would accept watercolors (though most of my sketches were pen and ink.) Here's one with my notes of the Abbey I blogged about yesterday:

Most of these were just quick little jots, but the journal really helped me to lock in the memories in place, and keep track of the places we visited in sequential order. So many times on action packed trips like these, all of the memories start to blend together after a while, so I really recommend this combination of traveling, sketching and journaling. 

On the same day that we visited Abbaye Nouvelle, we also visited the village of Beynac (in the Dordogne), with its fascinating 12th century chateau perched atop dramatic limestone cliffs. Only time for a quick sketch for this part of the itinerary, which I did after our picnic lunch by the river bank. We are steeped deep into Medieval history here; this castle is where Richard the Lionheart met his death!

***And now, we interrupt this art travel log for a quick brag ;-). There is a fine new oil painter in the Young family, and she's got a blog! Check out my very talented niece, Molly Young and her Daily Painting blog.

Molly came all the way up from Texas to take my April workshop this past spring, and I got the chance to see her talent in person. I wish I could say I had something to do with it, but she's been cutting her own path for a while now and I look forward to seeing where she takes it. Her blog is brand new, but she's been painting for a couple of years, and she's a quick study to boot.

The fruit trees of early spring were all abloom while Molly was here visiting, and we took advantage of it by heading up to Monticello for a quick visit.  Here's a shot of the two of us at Monticello:

 

Molly's got some wonderful new paintings from that visit on her blog. Here's one of my faves.

Art for Food Auction- "Golden Days" Tuscany painting

Today I have a new offering up for auction to benefit the Central Virginia Foodbank. This is another watercolor/pen and ink painting of the golden sunflowers of Tuscany:

"Golden Days" Watercolor/Pen & Ink on Arches Paper 7x10" (Image size 5x7") This painting has sold, but you can see the current auction by clicking here.

New art Auction: "Mountain Chalet", Lake Como, Italy

The "Art for Food" charity art auctions continue! This 7-day auction is for a landscape painting of a little chapel and mountainside chalet overlooking a small fishing harbor on Italy's lovely Lake Como. The Mediterranean trees and buildings are set against a dramatic backdrop of the Pre-Alps, making this one of the most stunning destinations in Italy.

"Mountain Chalet" Watercolor & Ink, 8x10"

According to the Central Virginia FoodBank, $25 could provide as many as 200 meals. So, with that in mind, opening bids for these auctions are set at the mega-bargain price of about 200 meals or $24.99 per item! 95% of the proceeds for these auctions will be donated to the CVFB.

Just posted- original Tuscany painting auction-$24.99!

I hope you fared better on your Valentines day than we did- we're dealing with that awful flu that's been making the rounds here in Richmond. But I've momentarily arisen from the dead to post a new "Art For Food" auction. How's that for dedication? 95% of the proceeds will be donated to the Central Virginia Foodbank. The title of this painting means "The Heart of Tuscany", and to me, the Val d'Orcia in Southern Tuscany was just that. I loved the way the Cypress trees punctuated the winding country roads:

"Il Cuore della Toscana" Watercolor/Pen & Ink on heavy deckled edge paper 8x11" (image size 6x8")

This auction has ended, but you can see the latest Art For Food Auctions here!

New painting of Provence lavender for auction, just $25

Announcing a new "Art for Food" charity auction for the Central Virginia Foodbank (CVFB). I admit it isn't easy to put some of these works up for auction, but it's a good cause, so what the hay. I love this little Provence lavender painting and I hope you will too... and I can always use this work as a study to make a larger piece in oil. Opening bids are just $24.99 and 95% of the proceeds will be donated to the CVFB:

"Summer Garden" (Provence, France) Watercolor/pen & ink on Arches heavy watercolor paper, 8x10" Auction starts at 12:30 EST on 2/07/08

This auction has ended, but you can bid on the latest auction here!

New "Art for Food" charity auction listed- Provence watercolor

Here is the latest in my series of charity auctions for the Central Virginia Foodbank. I am listing this little Provence watercolor of the Luberon Valley on eBay, and you will notice some adjustments to the listing due to the things I wrote about in my previous posts here and here.

"Summer Vineyard" Overall size 8x10" (image size 5x7")

Bidding has ended for this item, but you can see the latest art auction here.

Online charity art auctions- The learning curve part II

Look for a new "Art for Food" auction posting later today. Meanwhile, here's  a follow-up to my previous post  on the charity art auctions I'm holding for the CVFB. Filed under the "hadn't thought of that one" category: 1. Sales tax: Only after a couple of auctions were listed did it dawn on me that I probably had to collect VA sales tax. Doh! A call to the VA Dept. of Taxation confirmed this.  I am selling the item and then once I collect the profits, I'm turning around and donating the money to charity. Even though it's a donation, it's still a retail sale and subject to the tax for in-state sales. I can't really do anything about past auctions but pay the tax myself. But for the future a statement to collect sales tax in Virginia will be included in the listings. 

2. Framing: Due to the time involved in listing and promoting the auctions, making the donations, as well as packaging and shipping (not to mention creating the artwork), I cannot provide an in-house framing service for the charity auctions. Watercolors should be framed under glass, and shipping glass requires a lot more time and care in the packing and additional cost (and risk). It also adds another dimension of confusion to my whole accounting process. The good news is that these pieces are created in sizes that can be matted inexpensively, and fit easily into standard-size frames  found readily at local frame shops and even craft stores.

3. Donations: I started these auctions out with 100% of the proceeds going to the charity. However, since these auctions are an ongoing 6 month project, I really do have to consider the processing costs. Paypal, my online money transfer agent, assesses processing fees, reducing the total amount that I collect. If I can designate 95% of the proceeds to the charity, this will defray my costs for processing and any listing fees (for eBay listings and/or extra features).

More thoughts on eBay: I've been reading more on the eBay/Missionfish deal and can see that there might be some benefits to listing there. I've learned that in addition to your auction being listed on eBay's site and in the GivingWorks category, it is also listed on Missionfish. There are claims of better visibility and higher returns for GivingWorks listings over regular listings. Without having listed there I don't know how accurate that is.

The main hesitation I've been having are the Missionfish fees. At first blush, 15-20% of the donation seems like a painfully large processing fee. Will it really save that much time over ArtByUs in the processes of listing, fulfillment, documentation and donation? Will the venues provided through eBay GivingWorks increase the number of bids? If those two things were true, it might very well be worth a try.

Art for Food auction for the CVFB- Italian landscape painting of Lake Como

The online art auctions for the Central VA Foodbank are doing great. So far the auction sales have made donations that will provide over 800 meals! A note of my sincerest thanks to the winning bidders, and everyone who has taken the time to bid. I plan to keep the project going for the next 6 months, so I hope you will too! Today I've posted another "Art for Food" auction. This sweet original watercolor/pen and ink painting on paper is of Italy's beautiful lake Como. The vantage point is looking over the terra cotta rooftops from a lovely terrace lined with flowerpots:

"Patio View, Varenna"

Watercolor/Pen & Ink on Paper, 7x9" (Image size 4x6") Visit the auction and bid! This auction has ended, but click here to see the current auctions.

Get new auction alerts by email!

For Email Marketing you can trust

Art for Food: Tuscany watercolor charity auction for the CVFB

This Tuscany watercolor vignette is the second in my series of charity auctions begun last week for the Central Virginia Foodbank. Opening bid is just $25 (providing the equivalent of 200 meals.) 100% of the proceeds from the sale are donated to the CVFB. My husband suggested I call the auctions my "Art for Food" program (a clever riff on "Oil for Food"). I like it :-) Please, if you'd like to be alerted to new auctions as they are listed, consider signing up for my auction alerts, or just subscribe to my blog.

"The Sloping Grove" Watercolor/Pen & Ink on Paper Click to bid Bidding is closed for this item, but you can see available auctions here!

Get new auction alerts by email!

For Email Marketing you can trust

Art auction to benefit the Central Virginia Foodbank

As a way to kick off 2008, I've decided to create auctions for some of my paintings in hopes of raising funds for the CVA Foodbank.  The idea for the auctions was inspired by a couple of things that grabbed my attention almost simultaneously over the holidays. The first was a CNN broadcast I stumbled on while flipping around on the television one late sleepless night. It was a special called "Living Heroes".  I tuned in to see a gentleman named Steve Peifer accepting an award for the incredibly inspiring, selfless work he has done in Kenya, feeding the children in school. Click here to watch the inspiring video.

About a day or two after I saw this program, I noticed Philip Rucker's article in the Washington Post online edition entitled, "Cupboards Are Bare at Food Banks." My first thought was, "Huh? With all of our wealth and resources we are having trouble supplying our country's own food banks?" The article actually focused on the D.C. Capital Area Food Bank needs, but it mentions that many of the nation's food banks are experiencing similar shortages. You can read more about it in the article,  but the bottom line is that the food banks do not have the supplies they once did, and they need people to step up and help.

I got to wondering what was going on in my own local Central Virginia Foodbank. According to the CVA Foodbank's website, in the Metro Richmond area:

"...the poverty rate is more than twice the Virginia average. In fact, in the City of Richmond it’s 38% and in Petersburg it’s 40%, compared to the state average of 17%.. That means right here in our own backyard there are tens of thousands of children who go to bed hungry every day. "

As a citizen of Richmond, I'd have to live under a rock not to know of the poverty concerns we have in the city. But even so, these numbers are startling. And while the pragmatist in me realizes that there will always be inequalities in the world, the idealist wonders,  "Why, given the earth's resources, should there ever be a reason for anyone to go hungry?"

 I've always believed in the adage, "think globally, act locally." And while curbing world hunger seems like an overwhelming task, we all can make a huge difference in our local communities by simple acts of time, food or cash donations. Surprisingly, it doesn't take that much to make a difference. In fact, according to the CVA Foodbank's website, $25 will provide as many as 200 meals.

So to bring all of this back around to the subject of art, (after all, this is an art blog,) I thought it might be nice to see if I could raise some funds for the CVA Foodbank by offering some of my vignettes in auction format.   I have been offering the little watercolor vignette paintings in my gallery and on my website for a little while now, and I've gotten some really nice feedback from collectors who enjoy them. And while I had already set prices for these works at truly introductory rates, for the next 6 months opening bids for these auctioned paintings will be set at the mega-bargain price of 200 meals, or $25 per item. 100% of the proceeds for the sale of these vignettes will be donated to the Central Virginia Foodbank.

It's my hope that each auction will get bids and that far surpass the opening bid. But even if I get just opening amount, it will generate a donation that can provide 200 meals. The CVA Foodbank is already doing some wonderful things for the folks in our area, not the least of which is providing comfort and hope for hungry kids. And, as evidenced in the above mentioned video, relieving hunger clears a pathway to learning, and education can help to provide way out of poverty.

Winning bidders get the artwork, maybe even at a mega bargain price, plus the satisfaction of knowing that their purchase is being donated to help one community's underprivileged children, elderly and families in serious need. Of course, you don't need to bid on artwork to make a difference in your own community. I encourage everyone who is able to get in touch with their own community's food bank and consider offering time, food, or cash. My auctions  are just my own small (and hopefully fun) way of trying to raise some funds and a bit of awareness.

Well, thanks for sticking with me for this rather long explanation! Without further ado, I present my first Central Virginia Foodbank ("CVFB") auction for one of my recent watercolors:

"Open for Business" Original Signed Watercolor & Ink on paper Click here to bid

Update: This auction has ended, but click here to see the current auctions, and consider signing up for our email auction alerts using the link below.

Get new auction alerts by email!

For Email Marketing you can trust

"Summer Vineyard", Provence watercolor vignette

Last minute Christmas shoppers have kept me incredibly busy (and thankful) this week at the gallery, so I am finding little time to blog and do much needed computer work. But I do have a new little Provence watercolor painting to share.

"Summer Vineyard" Watercolor/Pen & Ink on Paper

It might not be quite "season appropriate," but if you're like me, there's never a bad time to dream of summertime in Provence.

A few gallery snaps from the "Small Stuff" show

Don't let anyone tell you that hanging a show for a bunch of small works is an easy task. But after it was all in place, we were very happy with the results, and I'm glad to report that my husband and I are still married. ;-) Here are a few shots from the show, on view now through Jan. 30th: When we were looking at this space for the gallery, one of the first things I noticed was this cute built-in. It's a perfect display for my minis and my new line of watercolor/pen and inks. Here I've decorated it with some lights and mistle toe:

A close-up that shows some of the ornaments--I like the little silver and gold Christmas balls along the bottom shelf:

On the opposite wall are the landscape paintings of Venice and Lake Como:

Close-up shot of the mantlepiece decorated with paintings. To the left of the large Venetian landscape are a series of little square 6x6" Lake Como paintings. Anyone who has read my blog for a while, or my squidoo lens on hanging art must know I'm a fan of grouping big and small paintings together like this. I'd love to do something similar over my fireplace mantle at home.

A small grouping from the next room of some of my more local autumn scenes:

I  guess that's really all I had time for, photography-wise. I may share a few more snaps and I will definitely share more info on some of the individual pieces in the show very soon.

Miniature landscape painting of the Tuscany sunset

This painting sold last night at my gallery exhibition preview, but it's still on view tonight for the First Fridays downtown art walk. It is a companion to another Tuscany painting I blogged about a couple of days ago:

"Lingering Light, Tuscany II" Oil on linen, about 3.5" x 7.75"

If you're doing the downtown art walk tonight in Richmond, come by Jennifer Young Studio & Gallery and see all of the "Small Stuff" -- miniature paintings and prints --on display for the holiday season. The gallery is located at 16 East Main Street between 1st and Foushee.

If you're not in Richmond, I am continually uploading new paintings to my web gallery, or you can see them offered first here, on the blog. I'm also offering free shipping (with some restrictions) until the end of the year, for holiday shopping convenience.

Useful links:

Ideas for hanging "small stuff" How I pack paintings for shipping My purchasing FAQ's My gallery information (and virtual tour)