Butter and Buttercups

Each year in early spring the rural counties in Virginia are blanketed with sunny yellow buttercups, and each year I vow to get outside and paint them in the field. More often than not though, I miss their brief appearance for one reason or another. It’s a busy time at my daughter’s school, or I am preparing for a show, or moving, etc., etc., etc.) This year I got lucky, thanks to the sweet tip I received from my husband, who spotted this location on his morning drive to work. 

"Butter and Buttercups", Oil on linen, 9x12" ©Jennifer E Young

This dairy farm is about 20 minutes from my home in Ashland, out in rural Hanover County just past historic Hanover Tavern. I started out painting the barn and fields, cowless, with a plan of perhaps adding the cows later from photos I took on site. Just toward the end of my session though, the cows obliged, and ambeled over long enough for me to paint a suggestion of their general shape and position. I decided to leave them as I painted them in the field, as I felt the handling was consistent with the rest of the painting.

Back from Maine

A month has passed since I spent a magical two weeks in Maine doing my artist's residency. It was truly breathtaking and I feel so fortunate to have had the opportunity. I came home to all of the responsibilities and duties of home life, but with a renewed spirit that I think will carry me through as I continue to explore this incredible landscape in the studio. It has been a long time since I have been able to dedicate an entire two uninterrupted weeks solely to landscape painting, and it's hard to think of any more inspiring place to do it than Maine. I've put together this little slideshow of the works I came home with on my trip. If you click directly on one of the images it will take you to the Maine gallery page and you can read more about my experiences on the island and the creation of each piece. 

"Cliffside, Lane's Island"

Oil on linen, 12x16"

"Beach Rocks"

Oil on linen, 9x12"

"Docked at Low Tide"

Oil on linen, 9x12"

"Day's End, Lane's Island"

Oil on linen, 11x14"

"Island Fog"

Oil on linen, 8x10"

"State Beach, Morning"

Oil on linen, 12x16"

"Brown's Head Light"

Oil on linen, 14x18"

Outer Banks love affair

Though I don't get there often enough,  I have long maintained a love affair with North Carolina's Outer Banks. Last week we again made our annual sojourn there, and what a week it was! The weather was near perfect, the water a crystal clear turquoise blue. There were dolphin sightings, beautiful sunrises, and pelicans, sandpipers, and seagulls presiding over it all. 

This was the first year in a long time that I was able to get out and paint so often. I kind of made it my mission to do so, especially since the weather was so cooperative all week (my fabulous husband and daughter were pretty darn cooperative too.) My fair skin suffers from too much sun and heat, so I took to painting mostly in the early morning or early evening to salvage it as best I could. Here's a little slideshow of the plein air paintings I completed there. I plan to use these as jumping off points for developing larger pieces in the studio since I will likely have to curtail much of my plein air painting during the unforgivably hot month of August. 

All of these paintings are done in Gamblin traditional oils on linen mounted canvas board. I used my new favorite plein air medium, Gamblin's Solvent Free Gel as well as a small dropper bottle of Gamsol for laying in my design at the beginning stages of the painting. This really keeps the transport and setup of my plein air gear lighter and more streamlined. Hover your mouse over each of the enlarged images to read more about each piece. 

"Dune Shadows, 6 PM", Oil on linen, 8x10"

This was "our" little gazebo that let to the beach. I enjoyed the shadow play across the dunes and sway of the sea oats. 

"Parting Gaze", Oil on linen, 9x12"

This was painted in the late afternoon/early evening beneath the Avalon Fishing Pier in Kill Devil Hills. That man stood there gazing at the ocean long enough for me to capture him. There were a lot of people camped out under the pier, and kids running everywhere. I presume they were doing what I was doing,  seeking refuge from the July sun. The scene I painted doesn't belie the chaos that was immediately surrounding me. But even amidst the hubbub, the ocean still evoked a relaxing effect. 

"Morning at Avalon Pier", Oil on linen, 9x12"

This was painted in the early morning. I took walks down to the pier several mornings from our beach house, and really got a lot of pleasure out of this approaching view, so I thought I'd better paint it. 

"Basking", Oil on linen, 8x10"

This was just a fun little midday piece I did from underneath a large beach canopy that my brother-in-law graciously set up. I later added the little umbrellas in the distance because it seemed to call for something up there. This lady was the only person that wanted to sit still for me while I painted her!

"Anchored at Sunrise", Oil on linen, 9x12"

No sunrise at the beach is ever like the last, but this sunrise had the added bonus of an anchored Navy ship sitting on the horizon. I didn't pack any Permanent Rose, so I struggled a bit to get the color intensity I wanted so the overall effect is very high key. The value relationships though were good, so I decided not to try and make any adjustments after the fact. I had to do this very quickly and loosely, as the entire light and color scheme changed extremely quickly.

Spring in my step

What a difference a week makes. Last week the earth was still pretty brown and bare in our neck of the woods, but this week heralded in some lovely warm springlike weather. And with that came the flowers. Cherry blossoms and spring blooming magnolias seemed to open up over night, along with the daffodils and forsythia. I always feel such a great sense of hope and renewal in the springtime.

Tuesday is one of my two "long days" that I have to work, so I readied myself Monday night for my plein air outing. I decided that since this was my first plein air painting in a while, I should kick off with a known quantity. So I paid a visit to Maymont Park. This would prevent me from wasting time driving around looking for the perfect spot, as I had visited the week prior with my daughter and knew exactly where I wanted to set up. 

"Spring Renewal", Oil on Panel, 9x12" ©Jennifer E Young

Just one week earlier, I had brought my daughter to this beautiful park, and at the blooms were still pretty new. I was hoping against hope they would endure, and luckily I wasn't disappointed. Here's a shot of my work setting for the morning. Not a bad way to punch the time card, eh?

My plein air painting in process

I retired the Soltek last summer after a trip to the beach kind of did it in. These days I'm really enjoying my Coulter Easel. It's fast, easy and sturdy. Here's my setup:

I've had a piece of Plexiglas cut to fit in the palette area. The brush holder is an envelope style with a little loop on the top, allowing me to loop it over the handle of my tripod and tuck into the back of the palette. The little jars are holding my oil and solvent free medium. You can't really see it in this picture, but those two clips on the left wing of the palette hold a mesh basket that I picked up in the $1 - $3 bin at Target. It has pockets around the perimeter suitable for holding the tubes of paint I reach for most often. I prefer this basket over a plastic bag for my dirty paper towels because it stays open. Also, it doesn't blow around in the wind. 

I've only had this easel since the fall and it's already smeared with paint. I'm a slob; it's a problem. In any event, I look forward to smearing it up even more this spring!

October Pumpkins

In Hanover County, Virginia,  where I now live, fall is particularly lovely. The profusion of green has given way to warm rich tones of gold, red and orange. October is pumpkin season, and you don't have to drive too far around here to find a roadside stand where you can pick up some  pumpkins to decorate the front stoop. If you are feeling adventurous you can even take the kids to a pumpkin patch so they can pick their very own.  Myself, I rather like leaving them put and painting them right where they are growing (in this case, the pumpkins, not the kids!). 

"October Pumpkins, Hanover" Oil on Panel, 8x10" ©Jennifer Young

This painting came about after getting a call from a painter friend of mine. She'd made arrangements to paint at the Hanover Vegetable Farm on one of the last days in October, and invited me to come along. I drive past this farm from time to time and I'd been eyeing those pumpkins for a couple of weeks. But for whatever reason, I hadn't gotten around to calling the proprietor up about painting there. So when the chance arose, I jumped on it. We got there around 8 a.m. The sun was low and the moon was still up. And of course, there were all of those cute round pumpkins gathering round the dirt path and echoing the shape of the waning moon. 

While I have really loved painting with my water soluble oil paints in the studio lately, I painted this piece solvent free using traditional oils. I used a little bit of Gamblin's Solvent Free Gel for my medium, and cleaned my brushes with walnut oil. I'm happy to report that it worked out just fine. I am so glad to leave that messy can of toxic solvent  out of the picture and just pack a little bottle of walnut oil and a small jar to swish my brushes in for cleaning. 

It's been raining around here for the last couple of days and I am anxious to see if the foliage will hold up until the sun comes back out. It would be great to get out a few more times before we have to say farewell to all of this gorgeous autumn color. We will see....