Morning Wash, Venice

We have been prepping for a kitchen remodel these last few weeks, so this little studio piece of Venice has been patiently waiting on the "back burner" (pun intended.) Today I got so tired of seeing its mournful state of incompleteness on my easel that I attacked it with the brush. Here is the result:

"Morning Wash", Venice Oil on Linen, 16x12" (SOLD) ©Jennifer E Young

  I remember the day I and my traveling companion were taking photos of this little neighborhood. It was our first morning in Venice and we had spent it pretty much as nearly every American tourist does, snapping away with our cameras and ooh-ing and ahh-ing over every nook and cranny of the place. Then we turned the corner and, almost against my will, I blurted out, "Oooh, laundry!" My friend laughed, and of course, I realized immediately how silly that sounded. But to an artist, it has the potential to add both visual interest and an element of the human presence, even on an otherwise empty street. It's a mystery to me how the Italians can make even clothes hanging on a line an intrigue. But I guess it doesn't hurt that those clotheslines are surrounded by beautiful ochre stone, magnificent architecture and, I suspect, a little bit of magic too.

P.S. If you're wondering what happened to the still life I had started  in my last post, I gave it the 86. I will try again at some point, but I think I was a little overly ambitious with the size given my limited time. The flowers croaked before I could get them down, so I had to just chalk it up to one of the ones that got away.

New floral still life (WIP)

I wish I could say that I was as passionate a flower arranger as I am a gardener, but I'm afraid to watch me make the attempt, you'd likely think I was wrestling the blooms into submission rather than celebrating a creative act. Maybe one day I will learn, but at present, my arrangements are pretty tenuous, and they only  look ok as long as you don't look at the back! But I have these great blooms right now in my garden from my massive Limelight Hydrangea, and I have been really wanting to capture them in paint before they are done for the season.

The shrub itself is far larger than I imagined it would be for my space (probably topping out at 8 or 9 feet by now) , but then that is true of just about everything in my garden! The blooms start out a lovely creamy white, and then turn a gorgeous lime green tinged with pink by season's end. Then the other day while shopping I saw these sunflowers lined up like happy little children, so I grabbed a bunch to add to the mix, and an arrangement was born.

It's been a while since I have painted a floral, but I really feel it's so important to regularly practice working from life, and it's been raining an awful lot this last week. So, with fall lurking just around the corner and my flower garden in its final days, I finally felt inspired to give it a go. (Better late than never, I guess!) Here, below,  is the initial block-in on my 24x20" linen canvas.

Floral still life painting in progress by Jennifer E. Young

This is about 3 hours' work. I try not to get too detailed yet, but I have my basic pattern down so that I can jump right in when I return to the easel.

Clearing Sky on the Outer Banks

One of my favorite times on the Outer Banks is just after a storm. The sand is a wet, deep, ochre, the surf still churns, but the clouds begin to lift and light up and eventually give way to that brilliant blue sky. This is a painting about just such a moment.

"Clearing Sky on the Outer Banks" Oil on Canvas, 30x24" (SOLD) ©Jennifer E Young

I worked on this off and on last week, though there was lots of "off" time, as my daughter and I enjoyed our final week together in "summer mode" before the start of preschool.  We sent the summer off right, with a trip to the zoo and a good deal of park and pool play as well. With all of the back to school prep though,  the home life has felt a little hectic recently. Nevertheless, we got it all done without (much of) a hitch, though I think we were both ready to return to the more normalized schedule that the fall ushers in. In a way, this painting feels a little like a metaphor for me today. The storms are (for now) behind us, and hopefully we can enjoy a nice stretch of clear skies ahead.

Sand Play

If you live in Richmond. Virginia and heard someone crying out in agonizing frustration this afternoon, it may have been me trying to bring this painting to a satisfactory conclusion.

"Sand Play" (NFS) Oil on Canvas, 12x12"© Jennifer E Young

This was actually an experiment, and one of those "what would happen if..." paintings that I probably would have put unfinished in the "circular file". But my four year old daughter (who is the subject of this piece) saw it in progress.

"When I grow up to be a beautiful woman," she said, "I will give this painting to my little girl". (How cute is that?) Of course, after that, I had to finish it. I may add a little touch or two, but it is more or less done. When my daughter saw the final, she squealed with delight and said, "Thank you Mommy!" That made it all totally worth it! (And now the neighborhood can enjoy their Labor Day weekend in peace.)

Large Hatteras Island Painting -complete!

Here is the final version of the painting I have been working on for the past week or so:

"Path to the Sea" Oil on Gallery Wrapped Canvas, 30x40" ©Jennifer Young

I had such a good time painting this piece I didn't want it to end. The  several prior studies I did of this subject (most of them on location) really helped to inform me about color choices and brushwork, and also, more importantly, they brought back the strong emotional connection I have with the subject. I felt like I was on vacation all over again. Don't get me wrong, this was work, too, but it is this kind of view that I see on summer vacations to the Outer Banks  when I step out on the deck in the morning to sip my first cup of coffee. For me it recalls a time to let all the cares go and just relax!