Promenade sur la Rue Claude Monet

Well life has taken an interesting turn for me this past month. My lack of posting would suggest that I have been away from the studio, but that is not the case. In fact, I feel as if I have become a permanent studio fixture, getting up at 5 a.m. and painting whenever I can find the hours before and after the hubby goes to work and my daughter goes to sleep. "But where are the paintings, then?", you may ask. Well, the work I'm referring to is more commercial in nature. I can perhaps post more on that in time, but not at the moment. Suffice it to say, that up to now,  I haven't had much time for my own "personal" work this year.

Nevertheless, things are normalizing (for now), and I have been able to return to my easel to finish a painting I started some time around New Year's Day.

"Promenade sur la Rue Claude Monet" Oil on linen, 11x14" ©Jennifer Young

Hollyhocks always make me think of France. I have tried growing them in my own garden but they always seem to get overtaken by rust. Maybe my garden is altogether too crowded or too moist, because in many parts of France they always seem to be growing out of what looks to me to be dry rock! This is a street in Giverny that leads to Claude Monet's famous home and gardens. The street is aptly named Rue Claude Monet, and is itself the subject for many potential paintings.

Happy New Year!

Just a brief post to wish you all a very happy, prosperous, and creative 2013! Santa Claus pretty much hijacked my studio for his own personal workshop over Christmas, but things are normalizing again. My daughter goes off of Christmas break and returns to preschool later this week, so I can get back to painting and promise more art related postings soon. Here's to good things and happy painting in 2013!

Sogno Rosso

We have been back from Thanksgiving travels for a week now, and we all received an awesome airline door prize in the form of the virus-of-the-day.  It's on the way out now, but I guess I should not be surprised to have contracted something, travelling with a toddler (who, especially since she has been in preschool has become the human petri dish!) Well, I guess as they say, what doesn't kill you makes you stronger. Any way, I am back to painting now, and I have really missed my studio time.  As I mentioned before, I am sticking to some smaller paintings for a while. The holiday schedule seems to just get fuller and crazier with each passing year. So, for sanity's sake, I think I am finally learning to just be kind to myself at the outset and not even attempt anything overly ambitious during this time.

So December is officially small painting month for me! And here, to prove my point, is a 12x16" painting of the Val d'Orcia, in Tuscany:

The compositional sketch:

"Sogno Rosso" Oil on Canvas, 12"x16" (SOLD) ©Jennifer Young

The Tuscan landscape just seems to roll on forever. It is a painter's dream. That idea is the inspiration for the title. "Sogno" (= dream), and "Rosso" (= the red field of poppies). I am painting from photos, memory, and imagination. The photos are the touchstone, but through memory I hope to convey my feelings for this place, which, from the very first time I laid eyes on it, has pulled at my heartstrings.

I rarely paint anything exactly as it is, (whether painting from photographs or life) so that's where the "imagination" comes in. I compose, rearrange, and edit until I acheive a composition and a statement that is pleasing to me. I want to stay true to the place, but really, it's just a moment in time, and an impression of the natural world that I'm after.

Though I am temporarily committed to keeping my painting sizes small, I think this composition cries out to be reincarnated as a larger piece at some future point. What do you think?

Benvenuti in Toscana

We are traveling next week in advance of the Thanksgiving holiday, so I am limiting my sizes in the studio to avoid having a half-finished or unresolved painting when we come home. Here is a little 9x12" painting of the Val d'Orcia , set high up on an olive grove. The scene then slopes down to a Tuscan farmhouse and then back up to the hillsides beyond.

"Benvenuti in Toscana" Oil on Canvas, 9x12" (SOLD) ©Jennifer Young

I plan to do a few smaller works like these over the next while to serve as studies for possibly larger scaled paintings. I liked the idea of undulating rhythm as this painting leads the eye up and down the hillsides. And while I am happy enough with it on a small scale, I'm undecided if I will attempt it in a larger rendition. For now  I think I will move along to one of the other compositional ideas that I have cooking. Hopefully I'll have more along that line by week's end.

Balbianello Gardens (W.I.P complete)

Well, it just hasn't been my couple of weeks. Between family sickness, election day, and bracing for hurricane Sandy (which thankfully turned out to be the hurricane that wasn't for us in Richmond) my daughter missed some preschool, which meant no painting or blogging for me. Finally I am back to it, though, and happily share the completion of the Lake Como painting I blogged about in my last post:

"View From Balbianello Gardens" Oil on linen, 16x20" (SOLD) ©Jennifer Young

This painting places the viewer at the edge of the gardens of the famous Villa Balbianello. A procession of Baroque statuary lines the garden's perimeter and looks out across blue waters to the distant harbor of a neighboring village. When I returned to the easel today,  I decided something was needed in the middle distance to anchor the right side of the painting and create some balance. And so a sailboat was born.

I like this addition very much. It creates some interest for the water and pushes the distant village and mountains back through the use of overlapping form. I also felt like the line of statues led the eye to that spot, and the fact that there was nothing there troubled me. It's funny how one little thing like that can bring a painting to a satisfying resolution.