Back from the Workshop

The Friday workshop was a lot of fun. I was impressed by the talent and friendliness of the entire group, and it sure made my experience a real joy. I look forward to giving more workshops in the future! I will post more pictures of the class on in my "photo journal" on my website when I have time, but here are a few images in the meantime. The class began with a little talk and a demonstration. Here is a shot of the classroom. I'm standing in the front of the room (wearing a black shirt and green apron).

Giving the demo... 

An action shot of the painting process; I'm laying in my lightest and darkest areas first to establish my values. 

I got about half way done with this little painting before the participants broke out and started working on their own projects. I should have the finished painting up on my website soon.

Read about Jennifer's current and upcoming workshops here!

Fun with Gouache

I spent some time yesterday playing with gouache paints so that I could see how I liked working with them as a possible candidate for my portable studio. Gouache is a water based medium; basically it is an opaque watercolor. While as an oil painter I wouldn't exactly call it opaque, it is more so than traditional watercolor. I've worked with many different water media before, including gouache, but it has been some time. Here's what I discovered:

My "oops" moments:

  • Some of the colors don't behave at all like either watercolor or oils. In general the gouache colors were somewhat darker and took some experimenting to get the mix I wanted.
  • The paint dries very quickly! In the future I may rethink squeezing out big blobs on my palette all at once (an overzealous oil painter's habit.) If I painted with these outdoors, I'd definitely need a spray bottle or drying retardant to keep my paints moist and fluid while working in the open air.

My "hey, cool!" moments:

  • A very forgiving medium that is easy to work with. Most mistakes can be "lifted off" with water and brush. The opaqueness allows you to paint over certain passages and change the composition (something not so easily done with watercolor.)
  • Versatile- can be mixed with watercolor and pen and ink. Acts as a watercolor for washes, but can also be laid down more opaquely and mixed with white.
  • Easy cleanup. Like watercolor, just a little soap and water does the trick.

Gouache paintings are treated the same as watercolors in terms of care and framing. They should be displayed under glass and kept out of direct sunlight for best longevity. Gouaches tend to like a rigid surface, so a heavy paper or mat board is a good substrate for this medium. Here is a little painting I did of the Provincial countryside:

 

 

 

Jennifer Young; Vibrant Landscapes www.jenniferyoung.com Contact

Starting and finishing

Nowadays, the beginning stage is definitely one of my favorite parts of the painting process. I used to hate starting something new. Well, not hate, but I did feel a certain sense of intimidation staring at a big white, blank canvas. This was probably due to the fact that some years ago when I painted in my figurative/abstract style, I was creating work without reference to much of anything, other than my own thoughts and ideas. I also used to stretch my own canvases, which were pretty darn large!! It took me so much energy and effort to build the stretchers, stretch the canvas, and then apply at least two layers of gesso, that by the time I was ready to paint, well, I'd better not mess up! Intimidating. Now, with my landscapes, I always start with a beautiful, archival ready made canvas, and an idea or inspiration that is based on the natural world (photo or actual). With so much around me to observe, my ideas seem endless. The beginning stages are fun because, while I have a fairly well established starting point, I am constantly designing, tweaking, abstracting, and then bringing my design back into focus. I can imagine what it will look like, but not exactly, so there is a bit of surprise and excitement as I make the painting unfold.

I paint with large brushes for as long as possible and really get things going. As the painting advances, I continue to flesh out the values and colors, leaving the finer details until the very end. The details are necessary of course, but the challenge is to make them just enough so that they enhance the piece (a line here, a stroke of highlight there) but not enough so that it looks over-worked.

Often with smaller paintings, I can paint wet into wet, "alla prima" (all at once,) so finishing is really just the final note in a natural progression of observations and decisions. But when I have a large canvas, I can sometimes paint on it over a series of days. I may take it off of the easel for a while and just stare at it. Start another painting and then stare at the nearly-completed canvas again, throughout the day. What needs to be addressed? When is it finished? Often I can answer these questions pretty quickly, but not always.

So, any way, this week I have been so into starting paintings and I haven't done much finishing. I keep starting and starting. (I guess whatever keeps you motivated and working.) I think I have 4 or so going right now. Well, the time has come to start finishing some of the darned things. That's what I'll be doing today. Hopefully at the day's end I can emerge with the accomplishment of completion.

Travel Plans

Travel is one of the most joyful parts of my life as an artist. I love traveling to new and beautiful places to paint and gather inspiration, and I feel so fortunate that my business is able to support my adventures. This February we will be taking a much welcomed trip down to sunny Key West. We were supposed to go last Spring, but bad weather caused us to cancel those plans. Here's a scene I painted from photos I took on our last trip to Key West. It's called "Sunset Celebration". It measures 11x14", oil on canvas. For more details about the painting, check out my scenes of the American South section on my website:

I've also started planning for a June trip to Lake Como, Italy! I think the scenic views of the lake regions in Northern Italy are some of the most striking and beautiful in the country. The uniqueness of Lake Como is that it is distinctively Mediterranean, with lush flora, palm trees and cypresses, but set against a stunning backdrop of the Alpine mountains. I am so excited to be returning to this area, since the last time I went was many years ago and my camera broke on day two!

I will be painting on location both in Key West and in Como. I am primarily an oil painter but I'm considering bringing watercolors instead, since they allow for easier cleanup and are more portable. Plus, with the new airline regulations I have heard many instances where other artists have had their oil paints confiscated by the airlines. That's quite a setback to experience, considering the painter has to buy a whole new set of expensive paints at the destination site. Supposedly you can bring a letter from the paint manufacturer insisting that the oil paints are made with vegetable oils and do not contain but a trace of ingredients that would be considered "flammable".

But in past trips since 9/11 I have not wanted to take the chance. If I wanted to paint in oils overseas I ended up just shopping for small tubes of paint in the destination country. This can actually be a really fun experience, because there are so many fine products in the art stores of France and Italy. But it does take a bit of extra planning and time if one is going to be staying primarily out in the country.

Gallery Wrap

This week I'm working on some landscapes done with gallery wrapped canvas. It is a more time consuming because I am extending the painting to the edges, but I am really liking the effect. Here is a a small 12x12" work in progress. I'll be posting more work to my website this weekend.

 

 

Okay, so the fast has been a little harder than I thought- energy wise. May have been a better choice to start this after my next art opening, but oh well. I think I can still get the work done in plenty of time. I'll just need to manage my time wisely. 

In some instances the fast is easier than I would have imagined, but it is still not for the faint of heart. I am doing the "Master Cleanse," a modified juice fast and am on day 7. Haven't blogged before now because I am at the studio during the day and like milktoast by 8 p.m. every evening. Supposedly it gets better in respect to energy level and other things too. We will see. It might help if I stopped fantasizing about Pad Thai and garlicky spaghettini! I've not been all that hungry, but am having outrageous cravings. Still, I've gotten this far (with no coffee!) and am aiming for 10 days or more.