The Potted Garden, Pienza (painting complete)

With school out for the Thanksgiving holiday, my studio time has been a little dicey. But now that we are back in session I have managed to wrap up my posting about the Pienza painting from earlier last week. Before I dive into painting the potted plants, I finish up the main architectural features of the painting-- the final touches on the windows and doors, and completing the distant bench.

 Now let's move onto the flowers!

Here is the final:

"The Potted Garden, Pienza" Oil on panel, 12x12" ©Jennifer Young

The hill town of Pienza is lovely for a number of reasons. First, it overlooks the gorgeous Tuscan valley called the Val d'Orcia. Second, like so many of these small towns,  the whole village is oozing with charm and dripping with flowers, just like the scene I have painted. Third, it is the home of Pecorino cheese! Need I say more?

Shadows, doors and floors

Here is a little progress on my painting of the Tuscan street scene I posted a sketch of in my last entry. Now that I have my design, I am ready to start laying in some color. My palette is fairly expansive, which I tend to do in the studio when I am more pressed for time. Here I'm using a few convenience colors in addition to my basic primary palette of red/yellow/blue. My colors for this piece are Titanium White, Cad Yellow light, Cadmium Red Light and Medium, Alizarin Permanent, Ultramarine Blue, Sevres Blue, (Rembrandt- kind of like Cerulean but a bit brighter with more tinting strength),  Gold Ochre (also Rembrandt brand- like Raw Sienna but warmer and more golden; yum) and Burnt Sienna (tonal sketch only). I start by laying in more concretely the pattern of shadow and light. I really love the way the shadows from the potted flowers spill onto the stone wall and red door:

 I use lots of the Gold Ochre for the wall, mixed with both blues and Alizarin in varying degrees, as the stone has lots of warmth but lots of variation in it too. For the door I started out with pure Cadmium Reds in the sunlit area, but whoa! I then decided to mute this a bit with touches of white and a tiny bit of yellow plus Sevres Blue to give it a more authentic sun-washed look. The door in shadow is a mix of Cad Red Medium, plus Ultramarine and Alizarin.  Next I start to lay in some of stone bench:

As you can see, I use violets in the shadows (Ultramarine Blue and Alizarin, plus touches of  white and yellow) to contrast with the bright warmth of the sunlit stone.

The bench established, I add a little more texture to the stone wall and then begin to lay some pavers. Even though they are terra cotta- colored pavers, they are still very light in value in relation to the wall. I've cooled them off with a bit of  Sevres Blue as they recede, to send them back and lay them down where they belong. Next I'll start working on the potted plants and add some more color to the scene. Stay tuned!

New Italian village painting

I really enjoyed the square format of my last painting, so I thought I'd experiment with another one--this time set in the rustic hill town of Pienza in Tuscany, Italy. Here's the compositional sketch so far. I threw alot of angles and right edges in there to make it interesting. ;-)

Ancient Hills, Golden Valley

My latest sunflower landscape painting (the start of which I posted here) has actually been finished for a while. But once again I have been delinquent in posting. Here is the final:

"Ancient Hills, Golden Valley", Oil on linen 20x24" (SOLD) ©Jennifer Young

Sunflowers!

I've needed some cheering up lately, so yesterday I started a new painting of Tuscan sunflowers. It's nearly impossible to frown while beholding a sea of sunflowers, right?

Tuscany sunflowers painting in progress by Jennifer E. Young

Feeling better already :-)